Untitled, 2022

Untitled (2022) features three car shark fin antennas cast in aluminum and arranged in a circle atop a white pedestal. The composition evokes the cinematic and cartoon trope of sharks circling their prey, yet here, the center remains empty—emphasizing the power of negative space and the void. By positioning the antennas in a counterclockwise motion, Andreoni alludes to the act of rewinding in sound—whether an analog tape or a digital track—suggesting the idea of reconsideration of past.